N. R. KLINE, P. HARDWICK (ed.). The Profane Arts: Norms and Transgressions, Brepols, 2016, 240 p.
ISBN: 978-2-503-56923-9
Part I: Norms
KRISTIANE LEMÉ-HÉBUTERNE: Expressions of Popular Wisdom in Medieval Choir Stalls
WELLEDA MULLER: L’illustration des proverbes dans les stalles en parallèle à la renaissance de la rhétorique au début du XVIe siècle dans le Grand Duché de Bourgogne
CHRISTEL THEUNISSEN: Flemish Mockery in Spain? Images of Proverbs on Spanish Choir Stalls
PAUL HARDWICK: ‘Stroke oule and schrape oule and evere is oule oule’: Home Truths on British Misericords
SYLVIE BETHMONT-GALLERAND: An example of Proverbial Wisdom in the Iconography of a Late Medieval Ceiling at Carcassonne (France)
Part II: Transgressions
NAOMI REED KLINE: The Proverbial Role of Frau Minne: Liebe macht Blind – Or does it?
NAOMI REED KLINE: From Harmonious to ‘Rough Music’ on Late Medieval Boxes: ‘Rough Music’ as Male Transgression
WELLEDA MULLER: La figure du fou dans les stalles du Grand Duché de Bourgogne sous la dynastie des Valois (XVe-XVIe siècle)
INGRID VAN WOUDENBERG: The Backward-Facing Rider on a Selection of Misericords
ROBBIE VAN GERWEN: Scatological Scenes in Gothic Choir Stalls in Spain.
Part III: New Research
FLORENCE PIAT: The iconographical and historical issues in choir stalls between Middle Ages and Renaissance: the example of La Guerche-de-Bretagne
CHRISTEL THEUNISSEN: Mysterious Ladies on the Rhine
KATARZYNA DARECKA: Gothic Stalls and Benches in Gdansk and their Conservation Issues
KRISTIANE LEMÉ-HÉBUTERNE: Book Description: Les stalles de la cathédrale Notre-Dame d’Amiens
MARIE-BARBARA LE GONIDEC: Un site internet dédié aux cornemuses du Musée des Civilisations de l’Europe et de la Méditerranée
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