Joan Valero

Thresholds of Medieval Visual Culture: Liminal Spaces

Los ensayos de este volumen exploran los umbrales entre lo visual y lo verbal, lo sensorial y lo performativo, lo literal y lo metafórico, lo social y lo epistemológico, que configuraron la matriz cultural de la Edad Media

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ELINA GERTSMAN, JILL STEVENSON (ed.). Thresholds of Medieval Visual Culture: Liminal Spaces, Boydell & Brewer, 2012, 406 p.
ISBN: 978-1843836971

ELINA GERTSMAN; JILL STEVENSON: Limning the Field.
RICHARD K. EMERSON: On the Threshold of the Last Days: Negotiating Image and Word in the Apocalypse of Jean de Berry.
KATHRYN A. SMITH: The Monk Who Crucified Himself.
LUCY FREEMAN SANDLER: The Lumere as lais and its Readers: Pictorial Evidence from British Library MS Royal 15 D II.
MARILYNN DESMOND: Reading and Visuality in Stephen Scrope’s Translatioof Christine de Pizan’s Epistre Othea.
ADELAIDE BENNET: Making Literate Lay Women Visible: Text and Image in French and Flemish Books of Hours, 1220-1320.
JONATHAN J. G. ALEXANDER: Women and the Italian Renaissance Illuminated Manuscript.
DIANE WOLFTHAL: The Sexuality of the Medieval Comb.
CORINE SCHLEIF: Kneeling on the Threshold: Donors Negotiating Realms Betwixt and Between.
RACHEL DRESSLER: Sculptural Representation and Spatial Appropriation in a Medieval Chantry Chapel.
GLENN BURGER: In the Merchant’s Bedchamber.
ROBERT L. A. CLARK: Liminality and Literary Genres: Texts par personnages in Late Medieval Manuscript Culture.
JENNA SOLEO-SHANKS: From Stage to Page: Siena’s Caleffo dell’Assunta, Spectacular Machines, and the Promotion of Civic Power.
GLENN EHRSTINE: Passion Spectatorship Between Private and Public Devotion.
COLUM HOURIHANE: Afterword. Pamela Sheingorn: An Appreciation.

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