The Bayeux Tapestry: New Approaches

Descripción

DAN TERKLA, GALE R. OWEN-CROCKER, MICHAEL J. LEWIS. The Bayeux Tapestry: New Approaches, Oxbow Books, 2011, 196 p.
ISBN: 978-1785707971

El tapiz de Bayeux es quizás la más famosa -y sin embargo enigmática- obra de arte medieval. En julio de 2008 fue objeto de una conferencia internacional en el Museo Británico; en este volumen se publican 19 de los 26 trabajos presentados en la conferencia.

CAROLA HICKS: The Patronage of Queen Edith.
GEORGE T. BEECH: The Breton Campaign and the Possibility that the Bayeux Tapestry was Produced in the Loire Valley (St Florent of Saumur).
SHIRLEY ANN BROWN: Decoding Operation Matilda: the Bayeux Tapestry, the Nazis and German Pan-Nationalism.
RICHARD BURT: Backing up the Virtual Bayeux Tapestries: facsimiles as attachment disorders, or turning over the other side of the underneath.
SYLVETTE LEMAGNEN: The Hidden Face of the Bayeux Tapestry.
DAVID HILL AND JOHN, MCSWEEN: The Storage Chest and the Repairs and Changes in the Bayeux Tapestry.
DEREK RENN: How Big is It – And Was It?
PIERRE BOUET, FRANÇOIS NEVEUX: Edward the Confessor’s Succession According to the Bayeux Tapestry.
ANN WILLIAMS: How to be Rich: the presentation of Earl Harold in the early sections of the Bayeux Tapestry.
PATRICIA STEPHENSON: Where a Cleric and Ælfgyva…
DAVID S. SPEAR: Robert of Mortain and the Bayeux Tapestry.
HIROKAZU TSURUSHIMA: Hic Est Miles: some images of three knights, Turold, Wadard and Vital.
MICHAEL R. DAVIS: Leofwine and Gyrth: depicting the death of the brothers in the Bayeux Tapestry.
GALE R. OWEN-CROCKER: The Bayeux Tapestry: faces and places.
MICHAEL J. LEWIS: The Bayeux Tapestry and Oxford, Bodleian Library, Junius 11.
CAROL NEUMAN DE VEGVAR: Dining with Distinction: drinking vessels and difference in the Bayeux Tapestry feast scenes.
JILL FREDERICK: Slippery as an Eel: Harold’s ambiguous heroics in the Bayeux Tapestry.
JANE GEDDES: The Bayeux Tapestry, Dendrochronology, and Hadstock Door.
LINDA ELAINE NEAGLEY: Portals of the Bayeux Tapestry: visual experience, spatial representation and oral performance.