Rogier van der Weyden in Context

Descripción

L. CAMPBELL, C. REYNOLDS, J. VAN DER STOCK. Rogier van der Weyden in Context, Peeters Publishers, 2012, 402 p.
ISBN: 978-9042926929

Rogier van der Weyden, painter and designer

JAN VAN DER STOCK: Canon in Context: Consumption of Early Netherlandish Images in the Fifteenth and first half of the Sixteenth Centuries.
LORNE CAMPBELL: Rogier as a Designer of Works of Art in Media other than Oil on Panel.
LIEVE WATTEEUW; MARINA VAN BOS: Chroniques de Hainaut. More Observations on Rogier van der Weyden Handling the Illuminator’s Brush.
STEPHAN KEMPERDICK: Rogier van der Weyden’s Workshop around 1440.
CATHERINE REYNOLDS: Self-Portrait and Signature in the Brussels ‘Justice Scenes’: Rogier van der Weyden’s Fame and the Status of Painting.
MARIKA SPRING: The Materials of Rogier van der Weyden and his Contemporaries in Context.

Archival sources

FRANCIS CAMBIER: A propos du triptyque de l’abbaye Saint-Aubert à Cambrai et de Haine de Bruxelles. Relecture des sources d’archives.
GRIET STEYAERT: Brussels, ‘Een hofstad achter ’t Cantersteen’: Rogier’s Houses in Brussels.

Studies in painting

GRIET STEYAERT: ‘The Seven Sacraments’: Some Technical Aspects observed during the Restoration.
LORNE CAMPBELL: ‘The Seven Sacraments’.
MARIE POSTEC: Technical Reconstitutions based on ‘The Seven Sacraments’ by Rogier van der Weyden: an Experimental Approach.
CATHY METZGER: An Assessment of the Escorial ‘Crucifixion’: Condition, Quality and Maker.
CARMEN GARCÍA-FRÍAS CHECA: Some Artistic and Technical Considerations on the ‘Portrait of Philip the Good’ in the Royal Palace of Madrid after its Restoration.
VERONIQUE VANDEKERCHOVE; LIVIA DEPUYDT; PASCALE FRAITURE; JANA SANJOVA: The Leuven ‘Trinity’. A New Look at a Fifteenth-Century Painting in the M Collection.
HELÈNE DUBOIS; CHRISTINA CURRIE; VERONIQUE VANDEKERCHOVE: ‘The Edelheere Triptych’: the Earliest Copy of Rogier van der Weyden’s ‘Descent from the Cross’. History, Examination and Conservation Treatment.
RACHEL BILLINGE: The Technical Examination of two Rogierian Panels from the Collection of the National Trust at Petworth House.
ANNE-SOPHIE LEHMAN; MARJOLIJN BOL: Painting Skin and Water. Towards a Material Iconography of Translucent Motifs in Early Netherlandish Painting.

Studies in underdrawing

ANA GONZÁLEZ MOZO: The new IRRs of the ‘Descent from the Cross’ in the Prado.
MOLLY FARIES: The Master of the Legend of Saint Barbara’s ‘Job Altarpiece’ in Cologne.

Studies in sculpture

DOUGLAS BRINE: Rogier van der Weyden and the Art of Commemoration.
CAMILLE DE CLERCQ; LIESELOTE HOORNAERT; JANA SANYOVA: ‘The Annunciation’ by Jean Delemer and Robert Campin: Highlights of the Material Technical Study and Conservation- Restoration Treatment.
JUDY DE ROY; JANA SANYOVA: ‘The Entombment of Christ’ from Soignies. A Closer Look.
BART FRANSEN: Le mausolée d’Henri II de Witthem et Jacqueline de Glymes à Beersel. Un témoignage unique de la sculpture funéraire bruxelloise du XVe siècle.
MYRIAM SERCK: Note sur le ‘Christ en croix’ brabançon de San Cristobal de La Laguna à Tenerife.
YAO-FEN YOU: Cathy Selvius De Roo and John C. Steele, Looking anew at the ‘Arenberg Lamentation’.

The legacy of Van der Weyden

DIDIER MARTENS: La ‘Lamentation aux figures aux paupières baissées’, une oeuvre perdue de Rogier van der Weyden.
HELENE MUND: Dans la suite de Rogier van der Weyden. Un maître et son atelier au carrefour de la tradition et de la modernité.
ANNICK BORN; MAXIMILIAAN MARTENS: Goossen van der Weyden and the Transmission of the Rogeresque Tradition from Brussels to Antwerp.
JORIS VAN GRIEKEN: ‘Rogerij Belgae inventum’. Rogier van der Weyden’s Late Reception in Prints (c. 1550-1600).