New Horizons in Trecento Italian Art
Estudios que aportan nuevos enfoques al estudio del arte del Trecento
Descripción
BRYAN KEENE, KARL WHITTINGTON (ed.). New Horizons in Trecento Italian Art, Brepols, 2020, 320 p.
ISBN: 978-2503586182
El siglo XIV en Italia, la época de Giotto, Dante y Boccaccio, ampliamente conocida como el Trecento, fue un momento crucial en la historia del arte y en la cultura europea. Los estudios de este volumen presentan nuevos enfoques del arte en este importante pero a menudo olvidado período de finales de la Edad Media y principios del Renacimiento. Los académicos en diversas etapas de sus carreras discuten una amplia gama de temas que incluyen arquitectura, intercambio cultural, materialidad, política, mecenazgo y devoción, lo que contribuye a una nueva comprensión de cómo se hizo y experimentó el arte en este siglo nodal.
Some Reflections — Judith Steinhoff
Introduction — Bryan C. Keene and Karl Whittington
I. Matter and Material
Stone, Paint, Flesh: Fictive Porphyry Exteriors in a Group of Multipart Panel Paintings from Angevin Naples — Sarah K. Kozlowski
The Altar as Stage: Visual and Material Conditions of the Dramatized Nativity — Patricia Simons
Jacopo, Niccolò, and Paintings in Books for Santa Maria degli Angeli — George R. Bent
II. Narrative and Response
Painted Wood Caskets for Saints in Trecento Venice — Ana Munk
The Reliquary of the Column of the Flagellation: A Case for Narrative Reliquaries — Claire Jensen
Fragmented Narrative in the Chapter House of San Francesco in Pistoia — Laura Leeker
Seeing and Sensing Compassion: Giotto’s Naturalism in the Arena Chapel and Pietro d’Abano’s Theory of Sympathetic Response — Theresa Flanigan
III. Prototypes: Local and Global
Locating the Duomo of Milan in the European Trecento — Erik Gustafson
The Ilkhanid-Italian Relationship during the Trecento: Medieval Persian Prototypes for Brunelleschi’s Dome in Florence — Lorenzo Vigotti
IV. Art and Identity
A Tribute to Dante: The Giottesque Portrait in the Palazzo del Podestà in Florence — Sonia Chiodo
Visual Representation of Women’s Legal Duties in Medieval Siena — Elena Brizio
V. Time and Knowledge
Towards a New Reading of the Fifteenth-Century Astrological Cycle at the Palazzo della Ragione in Padua — Anna Majeski
Giotto and Time — Luca Palozzi
Diagramming Triumph in Trecento Painting: Augustine and Thomas from Page to Wall — Karl Whittington
VI. Local Sanctities
Art of an Emblematic King: Robert I of Naples as King of Jerusalem in the Fourteenth Century — Cathleen A. Fleck
The Lignum Crucis and the Veneration of the Cross in the contado of Siena: Unmasking Some Neglected Images in the Cathedral of Massa Marittima — Sandra Cardarelli
The Bodies and Blood of Christ and the Virgin at Santa Maria Novella, Florence — Amber McAlister
VII. The Trecento in the Present
Rising from the Rubble of World War II: The High Altarpiece of Impruneta — Cathleen Hoeniger
Engaging with the Trecento — Caroline Campbell
Afterword — William Underwood Eiland
