Joan Valero

Meanings and Functions of the Ruler’s Image in the Mediterranean World (11th – 15th Centuries)

Estudios sobre el retrato real y su función en la Edad Media a través de un análisis comparativo de obras de diferentes áreas del mundo mediterráneo

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Descripción

MICHELE BACCI, MANUELA STUDER-KARLEN (ed.). Meanings and Functions of the Ruler’s Image in the Mediterranean World (11th – 15th Centuries), Brill, 2022, 554 p.
ISBN: 978-9004511491

El libro propone una reevaluación del retrato real y su función en la Edad Media a través de un análisis comparativo de obras de diferentes áreas del mundo mediterráneo, donde las imágenes son vistas como solo un resultado de estrategias más amplias y múltiples para la puesta en escena pública de los cuerpos de los gobernantes. Se pone énfasis en las formas en que los monarcas medievales en diferentes áreas del Mediterráneo construyeron su apariencia exterior y la comunicaron por medio de una variedad de rituales, tipos de objetos y medios.

Michele Bacci: An Introductory Essay: Mediterranean Perspectives on Royal Images
Gohar Grigoryan Savary:
Royal Images and Coronation Celebrations in the Sermons of Yovhannēs Pluz Erznkac‛i
Ioanna Rapti:
Beyond the Page. Royal Imagery in the Queen Keṙan Gospels and the Rhetoric of the Court in Armenian Cilicia
Edda Vardanyan:
The Royal Portrait in the Het‘um Lectionary (1286) and the Genealogy of Christ in the Art and Ideology of the Armenian Kingdom of Cilicia
Manuela Studer-Karlen:
The Emperor’s Image in Byzantium. Perceptions and Functions
Branislav Cvetković:
The Royal Imagery of Medieval Serbia
Mirko Vagnoni:
Royal Epiphanies in the Kingdom of Sicily. Frederick III of Aragón (1296–1337)
Nicolas Bock:
Simone Martini paints Robert of Anjou. Angevin Portraiture between Naples and Assisi
Vinni Lucherini: A Gallery of Royal Effigies in Medieval Hungary and Its Genealogical Purpose
Lucinia Speciale:
Game of Thrones. The Chess Set of Charlemagne in Context
Elodie Leschot: T
he Royal Image and Its Public. Suger, Saint-Denis, and the Promotion of a Monarchical Iconography in 12th-Century France
Gerardo Boto Varela:
Meanings and Functions of the Royal Portraits of the Navarrese Dynasty in the Kingdom of León, 1038–1109
Sofia Fernández Pozzo:
The King’s Dashing Attire c. 1200. Alfonso II and Pedro II of the Crown of Aragón in the Liber Feudorum Maior and Liber Feudorum Ceritaniae
Marta Serrano-Coll: Jaime II (r. 1291–1327). Considering the Presentation and Representation of the King of Aragón from Iconographic and Written Evidence
Juan Carlos Ruiz Souza: The Image of the King and Its Architectural Spaces in Al-Andalus and Castile and in the Larger Context of the Mediterranean