Joan Valero

Insular and Anglo-Saxon Art and Thought in the Early Medieval Period

Estudios sobre el arte anglosajón entre los siglos VI y XI

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COLUM HOURIHANE. Insular and Anglo-Saxon Art and Thought in the Early Medieval Period, Penn State University Press, 2011, 345 p.
ISBN: 978-0983753704

NANCY NETZER: New Finds versus the Beginning of the Narrative on Insular Gospel Books.
LAWRENCE NEES: Recent Trends in Dating Works of Insular art.
MICHELLE P. BROWN: Southumbrian Book Culture: The Interface Between Insular and Anglo-Saxon.
MICHAEL RYAN: Metalwork in Ireland from the Later Seventh to the Ninth Century; A Review.
HEATHER PULLIAM: Looking to Byzantium: Light, Color and Cloth in Insular Art.
NEIL O’DONOGHUE: Insular Chrismals and House-Shaped Shrines in the Early Middle Ages.
BEN C. TILGHMAN: Writing in Tongues: Mixed Scripts and Style in Insular Art.
PAUL MEYVAERT: Reclaiming the Apocalypse Majestas Panel for the Ruthwell Cross.
PETER HARBISON: An Irish Stroke of European Genius, Irish High Crosses and the Emperor Charles the Bald.
ÉAMONN Ó CARRAGAIN: High Crosses, The Sun’s Course, and Local Theologies at Kells and Monasterboice.
CAROL NEUMAN DE VEGVAR: Appropriating Victoria: intercultural transformations of a visual motif.
JENNIFER O REILLY: St John the Divine: Between Two Worlds.
CAROL FARR: Vox Ecclesiae: Performance and Insular Manuscript Art.
JANE ROSENTHAL: The Image in the Arenberg Gospels of Christ beginning to be “What He Was Not”.
BENJAMIN WITHERS: Satan’s Mandorla: Translation, Transformation, and Interpretation in Late Anglo-Saxon England.
HERBERT R. BRODERICK III: The Veil of Moses as Exegetical Image in the Illustrated Old English Hexateuch (London, BL Cotton MS Claudius B.IV).
MARTIN WERNER: The Binding of the Stonyhurst Gospel of St. John and St. John.

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