Joan Valero

Images of Otherness in Medieval and Early Modern Times. Exclusion, Inclusion, Assimilation

Conjunto de estudios sobre los conceptos de identidad personal y alteridad en el arte medieval europeo.

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ANJA EISENBEISS, LIESELOTTEE. SAURMA-JELTSCH (ed.). Images of Otherness in Medieval and Early Modern Times. Exclusion, Inclusion, Assimilation, Deutscher Kunstverlag, 2013, 158 p.
ISBN: 978-3422070691

LIESELOTTE E. SAURMA-JELTSCH: The Metamorphic Other and the Discourse of Alterity in Parisian Miniatures of the Fourteenth Century.

MAURIZIO PELEGGI: The Turbaned and the Hatted: Figures of Alterity in Early Modern Thai Visual Culture.
JOYCE KUBISKI: Alterity and the Palaiologan Hat: Dress and Otherness in the Portraits of the Byzantine Emperor John VIII by Pisanello and Filarete.
LUCY-ANNE HUNT: Skin and the Meeting of Cultures: Outward and Visible Signs of Alterity in the Medieval Christian East.
ANJA EISENBEIß: Distant Knowledge: Images of Learned Discourse in Saint Augustine’s City of God.
SUZANNE CONKLIN AKBARI: The Other’s Images: Christian Iconoclasm and the Charge of Muslim Idolatry in Medieval Europe.
JOHN TOLAN: “Tra il diavolo di Rustico e il ninferno d’Alibech”: Muslims and jews in Boccaccio’s Decameron.
NANCY BISAHA: ‘Inventing Europe’ with Aeneas Silvius Piccolomini.

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