Joan Valero
Gender, Otherness, and Culture in Medieval and Early Modern Art

Gender, Otherness, and Culture in Medieval and Early Modern Art

Estudios que contextualizan la construcción medieval de la identidad de género dentro del concepto de alteridad, a partir del análisis de una amplia variedad de medios artísticos

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CARLEE A. BRADBURY, MICHELLE MOSELEY-CHRISTIAN. Gender, Otherness, and Culture in Medieval and Early Modern Art, Springer International Publishing, 2017, 244 p.
ISBN: 978-3319650487

Estos estudios contextualizan la construcción medieval de la identidad de género dentro del concepto de alteridad, a partir del análisis de una amplia variedad de medios artísticos medievales y de principios de la era moderna, incluidos manuscritos, grabados, pinturas, trabajos en metal, textiles y escultura funeraria.

SHERRY C. M. LINDQUIST: Introduction to Gender and Otherness in Medieval and Early Modern Art
BETH FISCHER: Facing Medusa: A Thirteenth-Century Reliquary of King David
CARLEE A. BRADBURY: Picturing Maternal Anxiety in the Miracle of the Jew of Bourges
HOLLY FLORA: Representing Women and Poverty in Late Medieval Art
JESSEN KELLY: Forms of Testimony in Dirk Bouts’s Justice of Otto III
JOHN R. DECKER: Dürer’s Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Foreign, Masculine Identity
MARIAN BLEEKE: “The Monster, Death, Becomes Pregnant:” Representations of Motherhood in Female Transi Tombs from Renaissance France
MICHELLE MOSELEY-CHRISTIAN: Embodying Gluttony as Women’s Wildness: Rembrandt’s Naked Woman Seated on a Mound, c. 1629–1631

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