Joan Valero

Current Directions in Eleventh- and Twelfth-Century Sculpture Studies

Estudios que exploran la intersección de diferentes tradiciones y enfoques actuales sobre el arte románico

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ROBERT MAXWELL (ed.). Current Directions in Eleventh- and Twelfth-Century Sculpture StudiesBrepols, 2011, 212 p.
ISBN: 978-2503531656

ROBERT A. MAXWELL, KIRK AMBROSE: Introduction: Romanesque Sculpture Studies at a Crossroads.
JÉRÔME BASCHET: Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac.
MARTIN BÜCHSEL: The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis.
THOMAS E. A. DALE: The Nude, Phantasia, Vision and the Affective Powers Sculpture.
ILENE H. FORSYTH: The Role of Verbal and Visual Texts in the Moissac Cloister.
DOROTHY F. GLASS: Word into Image in Italian Romanesque Sculpture.
KLAUS NIEHR: Porches, Walls, and Capitals: New Aesthetics in Architectural Sculpture of the Eleventh and Twelfth Centuries.
JOSÉ LUIS SENRA: Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos.
ANDREA VON HÜLSEN-ESCH: Romanesque Sculpture in Italy: Form, Function, and Cultural Practice.
JOHN WILLIAMS: The Emergence of Spanish Romanesque Sculpture: A Century of Scholarship.

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